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debussy_other_piano_pieces

Compositions for piano by Claude Debussy that are not part of a cycle or group

https://github.com/dcmlab/debussy_other_piano_pieces

Science Score: 75.0%

This score indicates how likely this project is to be science-related based on various indicators:

  • ✓
    CITATION.cff file
    Found CITATION.cff file
  • ✓
    codemeta.json file
    Found codemeta.json file
  • ✓
    .zenodo.json file
    Found .zenodo.json file
  • ✓
    DOI references
    Found 2 DOI reference(s) in README
  • ✓
    Academic publication links
    Links to: zenodo.org
  • ○
    Academic email domains
  • ✓
    Institutional organization owner
    Organization dcmlab has institutional domain (www.epfl.ch)
  • ○
    JOSS paper metadata
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    Scientific vocabulary similarity
    Low similarity (7.1%) to scientific vocabulary
Last synced: 9 months ago · JSON representation ·

Repository

Compositions for piano by Claude Debussy that are not part of a cycle or group

Basic Info
Statistics
  • Stars: 0
  • Watchers: 2
  • Forks: 1
  • Open Issues: 1
  • Releases: 2
Created over 3 years ago · Last pushed about 1 year ago
Metadata Files
Readme Citation Zenodo

README.md

Version DOI GitHub repo size License

This is a README file for a data repository originating from the DCML corpus initiative and serves as welcome page for both

For information on how to obtain and use the dataset, please refer to this documentation page.

Claude Debussy Other Piano Pieces

This dataset is part of The Claude Debussy Solo Piano Corpus.

Cite as

Laneve, S., Schaerf, L., Cecchetti, G., Hentschel, J., & Rohrmeier, M. (2023). The diachronic development of Debussys musical style: A corpus study with Discrete Fourier Transform. Humanities and Social Sciences Communications, 10(1), 289. https://doi.org/10.1057/s41599-023-01796-7

License

Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License (CC BY-NC-SA 4.0).

Overview

| filename |measures|labels| |---------------|-------:|-----:| |l000etude | 71| 0| |l000soirs | 23| 0| |l009danse | 92| 0| |l067mazurka | 138| 0| |l068reverie | 101| 0| |l069tarentelle| 333| 0| |l070ballade | 105| 0| |l071valse | 151| 0| |l082nocturne | 77| 0| |l099cahier | 55| 0| |l105masques | 381| 0| |l106isle | 255| 0| |l108morceau | 27| 0| |l114petit | 87| 0| |l115hommage | 118| 0| |l121plus | 148| 0| |l132berceuse | 68| 0| |l133page | 38| 0| |l138elegie | 21| 0|

Overview table automatically updated using ms3.

Owner

  • Name: Digital and Cognitive Musicology Lab
  • Login: DCMLab
  • Kind: organization
  • Location: Lausanne, CH

The Digital and Cognitive Musicology Lab at École Polytechnique Fédérale de Lausanne (EPFL)

Citation (CITATION.cff) 

cff-version: 1.2.0
message: "Please cite this dataset using the metadata from 'preferred-citation'."
title: "The Claude Debussy Solo Piano Corpus"
abstract: "The scores of Claude Debussy's entire oeuvre for piano solo, in uncompressed MuseScore 3 format (.mscx)."
type: dataset
authors:
    - given-names: Sabrina
      family-names: Laneve
      email: sisbet@outlook.it
      affiliation: "State Music Conservatory “Giuseppe Verdi”, Turin"
      orcid: "https://orcid.org/0009-0003-2629-5169"
    - given-names: Ludovica
      family-names: Schaerf
      email: ludovica.schaerf@gmail.com
      affiliation: "École Polytechnique Fédérale de Lausanne"
      orcid: "https://orcid.org/0000-0001-9460-702X"
    - given-names: Gabriele
      family-names: Cecchetti
      email: gabriele.cecchetti@epfl.ch
      affiliation: "École Polytechnique Fédérale de Lausanne"
      orcid: "https://orcid.org/0000-0002-1486-1886"
    - given-names: Johannes
      family-names: Hentschel
      email: johannes.hentschel@epfl.ch
      affiliation: "École Polytechnique Fédérale de Lausanne"
      orcid: "https://orcid.org/0000-0002-1986-9545"
    - given-names: Martin
      family-names: Rohrmeier
      email: martin.rohrmeier@epfl.ch
      affiliation: "École Polytechnique Fédérale de Lausanne"
      orcid: "https://orcid.org/0000-0002-4323-7257"
version: 0.9.1
date-released: 2023-05-23
keywords:
  - "music research"
  - "music theory"
  - "music history"
  - "corpus studies"
  - corpora
  - "symbolic datasets"
  - "scores"
  - "piano music"
  - "claude debussy"
  - "extended tonality"
  - modernism
  - impressionism
  - "discrete fourier transform"
license: "CC-BY-NC-SA-4.0"
repository: https://github.com/DCMLab/debussy_piano
preferred-citation:
  authors:
    - given-names: Sabrina
      family-names: Laneve
      email: sisbet@outlook.it
      affiliation: "École Polytechnique Fédérale de Lausanne"
      orcid: "https://orcid.org/0009-0003-2629-5169"
    - given-names: Ludovica
      family-names: Schaerf
      email: ludovica.schaerf@gmail.com
      affiliation: "École Polytechnique Fédérale de Lausanne"
      orcid: "https://orcid.org/0000-0001-9460-702X"
    - given-names: Gabriele
      family-names: Cecchetti
      email: gabriele.cecchetti@epfl.ch
      affiliation: "École Polytechnique Fédérale de Lausanne"
      orcid: "https://orcid.org/0000-0002-1486-1886"
    - given-names: Johannes
      family-names: Hentschel
      email: johannes.hentschel@epfl.ch
      affiliation: "École Polytechnique Fédérale de Lausanne"
      orcid: "https://orcid.org/0000-0002-1986-9545"
    - given-names: Martin
      family-names: Rohrmeier
      email: martin.rohrmeier@epfl.ch
      affiliation: "École Polytechnique Fédérale de Lausanne"
      orcid: "https://orcid.org/0000-0002-4323-7257"
  title: "The diachronic development of Debussy’s musical style: a corpus study with Discrete Fourier Transform"
  doi: 10.1057/s41599-023-01796-7
  type: article
  journal: "Humanities and Social Sciences Communications"
  volume: 10
  issue: 1
  year: 2023
  abstract: "Claude Debussy’s personal style is typically characterised as a departure from earlier diatonic tonality, including a greater variety of pitch-class materials organised in fragmented yet coherent compositions. Exploiting the music-theoretical interpretability of Discrete Fourier Transforms over pitch-class distributions, we performed a corpus study over Debussy’s solo-piano works in order to investigate the diachronic development of such stylistic features across the composer’s lifespan. We propose quantitative heuristics for the prevalence of different pitch-class prototypes, the fragmentation of a piece across different prototypes, as well as some aspect of the overall coherence of a piece. We found strong evidence for a decrease of diatonicity in favour of octatonicity, as well as for an increase of fragmentation accompanied by non-decreasing coherence. These results contribute to the understanding of the historical development of extended-tonal harmony, while representing a fertile testing ground for the interaction of computational corpus-based methods with traditional music analytical approaches."

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