Science Score: 75.0%

This score indicates how likely this project is to be science-related based on various indicators:

  • CITATION.cff file
    Found CITATION.cff file
  • codemeta.json file
    Found codemeta.json file
  • .zenodo.json file
    Found .zenodo.json file
  • DOI references
    Found 6 DOI reference(s) in README
  • Academic publication links
    Links to: zenodo.org
  • Academic email domains
  • Institutional organization owner
    Organization dcmlab has institutional domain (www.epfl.ch)
  • JOSS paper metadata
  • Scientific vocabulary similarity
    Low similarity (12.1%) to scientific vocabulary
Last synced: 6 months ago · JSON representation ·

Repository

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Created over 3 years ago · Last pushed 10 months ago
Metadata Files
Readme Citation Zenodo

README.md

Version DOI GitHub repo size License

This is a README file for a data repository originating from the DCML corpus initiative and serves as welcome page for both

For information on how to obtain and use the dataset, please refer to this documentation page.

When you use (parts of) this dataset in your work, please read and cite the accompanying data report:

Hentschel, J., Rammos, Y., Neuwirth, M., & Rohrmeier, M. (2025). A corpus and a modular infrastructure for the empirical study of (an)notated music. Scientific Data, 12(1), 685. https://doi.org/10.1038/s41597-025-04976-z

Giovanni Battista Pergolesi – Stabat Mater (1736) (A corpus of annotated scores)

The Stabat Mater is one of the few works that can be definitively attributed to Pergolesi. Written shortly before the composer's untimely death, this work has since become ubiquitous for its innovative implementation of an accessible, opera-like style within a sacred context. Our annotations highlight the poignant dissonances and tensions that enrich the ostensibly simple vocabulary of this work.

Getting the data

Data Formats

Each piece in this corpus is represented by five files with identical name prefixes, each in its own folder. For example, the first section has the following files:

  • MS3/01. Stabat Mater dolorosa.mscx: Uncompressed MuseScore 3.6.2 file including the music and annotation labels.
  • notes/01. Stabat Mater dolorosa.notes.tsv: A table of all note heads contained in the score and their relevant features (not each of them represents an onset, some are tied together)
  • measures/01. Stabat Mater dolorosa.measures.tsv: A table with relevant information about the measures in the score.
  • chords/01. Stabat Mater dolorosa.chords.tsv: A table containing layer-wise unique onset positions with the musical markup (such as dynamics, articulation, lyrics, figured bass, etc.).
  • harmonies/01. Stabat Mater dolorosa.harmonies.tsv: A table of the included harmony labels (including cadences and phrases) with their positions in the score.

Each TSV file comes with its own JSON descriptor that describes the meanings and datatypes of the columns ("fields") it contains, follows the Frictionless specification, and can be used to validate and correctly load the described file.

Opening Scores

After navigating to your local copy, you can open the scores in the folder MS3 with the free and open source score editor MuseScore. Please note that the scores have been edited, annotated and tested with MuseScore 3.6.2. MuseScore 4 has since been released which renders them correctly but cannot store them back in the same format.

Opening TSV files in a spreadsheet

Tab-separated value (TSV) files are like Comma-separated value (CSV) files and can be opened with most modern text editors. However, for correctly displaying the columns, you might want to use a spreadsheet or an addon for your favourite text editor. When you use a spreadsheet such as Excel, it might annoy you by interpreting fractions as dates. This can be circumvented by using Data --> From Text/CSV or the free alternative LibreOffice Calc. Other than that, TSV data can be loaded with every modern programming language.

Loading TSV files in Python

Since the TSV files contain null values, lists, fractions, and numbers that are to be treated as strings, you may want to use this code to load any TSV files related to this repository (provided you're doing it in Python). After a quick pip install -U ms3 (requires Python 3.10 or later) you'll be able to load any TSV like this:

```python import ms3

labels = ms3.loadtsv("harmonies/01. Stabat Mater dolorosa.harmonies.tsv") notes = ms3.loadtsv("notes/01. Stabat Mater dolorosa.notes.tsv") ```

Version history

See the GitHub releases.

Questions, Suggestions, Corrections, Bug Reports

Please create an issue and/or feel free to fork and submit pull requests.

Cite as

Hentschel, J., Rammos, Y., Neuwirth, M., & Rohrmeier, M. (2025). A corpus and a modular infrastructure for the empirical study of (an)notated music. Scientific Data, 12(1), 685. https://doi.org/10.1038/s41597-025-04976-z

License

Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License (CC BY-NC-SA 4.0).

cc-by-nc-sa-image

Overview

| file_name |measures|labels|standard|annotators | |--------------------------------|-------:|-----:|--------|-----------| |01. Stabat Mater dolorosa | 47| 174|2.2.0 |Uli Kneisel| |02. Cujus animam gementem | 108| 228|2.2.0 |Uli Kneisel| |03. O quam tristis et afflicta | 26| 84|2.2.0 |Uli Kneisel| |04. Quae moerebat et dolebat | 103| 214|2.2.0 |Uli Kneisel| |05. Quis est homo qui non fleret| 49| 122|2.2.0 |Uli Kneisel| |06. Vidit suum dulcem natum | 43| 153|2.2.0 |Uli Kneisel| |07. Eja, Mater fons amois | 94| 214|2.2.0 |Uli Kneisel| |08. Fac ut ardeat cor meum | 72| 0| | | |09. Sancta mater, istud agas | 84| 0| | | |10. Fac ut portem Christi mortem| 26| 0| | | |11. Inflammatus et accensus | 52| 0| | | |12. Quando corpus morietur | 94| 0| | |

Overview table automatically updated using ms3.

Owner

  • Name: Digital and Cognitive Musicology Lab
  • Login: DCMLab
  • Kind: organization
  • Location: Lausanne, CH

The Digital and Cognitive Musicology Lab at École Polytechnique Fédérale de Lausanne (EPFL)

Citation (CITATION.cff)

cff-version: 1.2.0
title: 'Giovanni Battista Pergolesi – Stabat Mater (1736) (A corpus of annotated scores)'
message: >-
  Please cite this dataset using the metadata from
  'preferred-citation'.
type: dataset
authors:
  - given-names: Johannes
    family-names: Hentschel
    email: johannes.hentschel@bruckneruni.at
    affiliation: Anton Bruckner University Linz
    orcid: 'https://orcid.org/0000-0002-1986-9545'
  - given-names: Yannis
    family-names: Rammos
    email: yannis.rammos@epfl.ch
    affiliation: École Polytechnique Fédérale de Lausanne
    orcid: 'https://orcid.org/0000-0003-1455-5990'
  - given-names: Markus
    family-names: Neuwirth
    email: markus.neuwirth@bruckneruni.at
    affiliation: Anton Bruckner University Linz
    orcid: 'https://orcid.org/0000-0003-1990-052X'
  - given-names: Martin
    family-names: Rohrmeier
    email: martin.rohrmeier@epfl.ch
    affiliation: École Polytechnique Fédérale de Lausanne
    orcid: 'https://orcid.org/0000-0002-4323-7257'
identifiers:
  - type: doi
    value: 10.5281/zenodo.14990099
  - type: url
    value: 'https://zenodo.org/doi/10.5281/zenodo.14990099'
url: 'https://zenodo.org/doi/10.5281/zenodo.14990099'
doi: 10.5281/zenodo.14990099
repository: 'https://github.com/DCMLab/pergolesi_stabat_mater'
abstract: >-
  <jats:p>This corpus of annotated MuseScore files has been
  created within the DCML corpus initiative and employs the
  DCML harmony annotation standard. It is one out of ~40
  similar corpora that have been grouped together to the
  "Distant Listening Corpus" which comes with the data
  report "A corpus and a modular infrastructure for the
  empirical study of (an)notated music":
  https://doi.org/10.1038/s41597-025-04976-z</jats:p>
keywords:
  - expert-annotated dataset
  - tonal harmony
  - music research
  - music theory
  - music analysis
  - music history
  - computational musicology
  - corpus studies
  - corpora
  - symbolic dataset
  - scores
  - annotated dataset
  - harmony
  - key annotations
  - chord annotations
  - phrase annotations
  - cadence annotations
  - common practice
  - research data management
license: CC-BY-NC-4.0
version: v3.2
date-released: '2025-04-27'
preferred-citation:
  authors:
    - given-names: Johannes
      family-names: Hentschel
      email: johannes.hentschel@bruckneruni.at
      affiliation: Anton Bruckner University Linz
      orcid: 'https://orcid.org/0000-0002-1986-9545'
    - given-names: Yannis
      family-names: Rammos
      email: yannis.rammos@epfl.ch
      affiliation: École Polytechnique Fédérale de Lausanne
      orcid: 'https://orcid.org/0000-0003-1455-5990'
    - given-names: Markus
      family-names: Neuwirth
      email: markus.neuwirth@bruckneruni.at
      affiliation: Anton Bruckner University Linz
      orcid: 'https://orcid.org/0000-0003-1990-052X'
    - given-names: Martin
      family-names: Rohrmeier
      email: martin.rohrmeier@epfl.ch
      affiliation: École Polytechnique Fédérale de Lausanne
      orcid: 'https://orcid.org/0000-0002-4323-7257'
  title: >-
    A corpus and a modular infrastructure for the empirical study of (an)notated
    music
  doi: 10.1038/s41597-025-04976-z
  url: 'https://doi.org/10.1038/s41597-025-04976-z'
  identifiers:
    - type: doi
      value: 10.1038/s41597-025-04976-z
    - type: url
      value: 'https://doi.org/10.1038/s41597-025-04976-z'
    - type: other
      value: 'urn:issn:2052-4463'
  type: article
  journal: Scientific Data
  issn: 2052-4463
  publisher:
    name: Springer Nature
  volume: 12
  issue: 1
  year: 2025
  month: 4
  start: 685
  abstract: >-
    <jats:p>The present corpus is the outcome of a long-term collaborative effort 
    to produce analytically annotated music scores suitable for the
    computer-assisted study of European compositions since 1600. With 1283
    analytically annotated, symbolically encoded music scores by 36 composers,
    our corpus amounts to one of the largest published resources of its kind. At
    the same time, it provides a modular digital infrastructure for the
    accountable, collaborative curation of annotated scores (“sheet music”). All
    annotations were created and reviewed by a team of trained music theorists,
    who collaborated online using the git version control software according to
    a formally codified workflow. To improve the consistency of analytical
    practices given the diversity of represented eras and genres, the corpus has
    been automatically parsed for notational well-formedness and cross-reviewed
    by annotators for adherence to our music-analytical guidelines. The
    computational infrastructure has been designed with “data persistence” and
    open access in mind.</jats:p>

GitHub Events

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Last Year
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Dependencies

.github/workflows/version_release.yml actions
  • actions/checkout v3 composite
  • ncipollo/release-action v1 composite